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Biomedicine in museums

Technical problems (are solved now!)

By Biomedicine in museums

We have technical problems right now. We upgraded to WordPress 2.0.4 a month ago which solved the former spam problem. But there is some bug in the program that distorts the layout. The ugly result you can see for yourself (in the header, to the right, and scrolling down). We’re trying to find someone who can fix the bug. Please be patient!

Added: It turns out (thanks Nick!) that one shall avoid cutting-and-pasting texts from other websites or richly formatted texts (Word etc.) directly into the “Write Post” window because this introduces so much nasty font code that the system goes bananas. (In fact, one of the posts contained so much font-code that I couldn’t debug it manually. But when I deleted this particular post, the layout went back to normal again.)

So the trick from now on is NEVER EVER cut-and-past from a website or a Word document directly into the “Write Post”-window. Instead you shall:

1) first cut-and-paste the text into the HTML Source Editor subwindow of the “Write Post”-window. This removes all special fonts from the original site.

2) and then click “Update” to turn it into the rich HTML format, where you can then add links, images, bold and italics font, the “more” function, etc. as usual

If you’ve ony tried it once, it’s almost as easy as before.

The recent history of war epidemiology

By Biomedicine in museums

(originally published 11 October; updated 20 Oct because of new comments): 

Today’s (i.e., 11 October) big public health news report is the article by a Johns Hopkins University research team published in The Lancet on-line edition on the number of war-related casualties in Iraq. “We estimate”, the authors conclude, “that as of July, 2006, there have been 654 965 (392 979–942 636) excess Iraqi deaths as a consequence of the war, which corresponds to 2,5% of the population in the study area”.

As Lancet’s editor, Richard Horton, points out in a comment, “this study adds substantially to the new field of conflict epidemiology, which has been evolving rapidly in recent years”. Unsurprisingly, US President George W. Bush questions the findings: “I don’t consider it a credible report”, he told a White House press conference (according to today’s Guardian ).

The Lancet’s report underscores the importance of the complex relations between war and (lack of) health throughout history.

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Scientific culture – science in culture

By Biomedicine in museums

The following report of the annual meeting of the German Society for the History of Medicine, Science and Technology (Gesellschaft für Geschichte der Medizin, Naturwissenschaft und Technik, DGGMNT) and the Society for History of Science (Gesellschaft für Wissenschaftsgeschichte, GWG) held in Braunschweig, 28 September -1 Oktober 2006 shows that the cultural history of science is flourishing in the German speaking part of Europe:
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Conference: Body and Textuality, Barcelona, 26-30 March 2007

By Biomedicine in museums

Adam, here’s something for you: 

Conference on “Body and Textuality. Telling Bodies: Practices, Discourses, Looks”, Universidad Autonoma de Barcelona, 26-30 March, 2007

The body in the 21st century is everything but a certainty, a condition which raises an infinite number of questions. This Conference intends thus to be an interdisciplinary meeting point for discussing the body as a central cultural construction.
 

See further: http://www.h-net.org/announce/show.cgi?ID=152947

Animation of the inner life of the cell – II

By Biomedicine in museums

The journal EMBO Reports has a good review article (“Seeing is understanding: Improvements in computer software and hardware are revolutionizing three-dimensional imaging in biology”, Embo Reports, vol. 7, pp. 467-70) of the state-of-the-art of 3D-imaging in biomedical science — read it here. They refer, among other developments in the field, to a ribosome animation movie made by Said Sannuga, a molecular biologist and animation specialist, in cooperation with Venki Ramakrishnan at the MRC Laboratory of Molecular Biology in Cambridge. Here’s a still from their movie:

The movie version will hopefully soon be available online.